Naoto Ozawa

It started with a single camera picked up in university. Since then, across commercials, music videos, weddings and documentary, one idea has stayed constant: record the air of the place along with the picture.

On set, that means not over-directing the subject. In the edit, it means resisting the urge to over-explain. I care more about subtraction than spectacle — building films that stay with a viewer quietly, long after the credits. Concept, shooting, editing and color grading are all handled end to end.